Tuesday, October 18, 2011

Untitled 2

The day you left me a monsoon rolled in the West,
dragging old tin cans down dead-end alleys,
the chirping of birds who so long ago fluttered.

Waves of khaki, their flotsam and jetsam a curious off-white,
washed over the concrete Taedong banks
as Grandmother pulled me by the wrist.

Her apartment smelled of ginseng wine.
The three rooms were appendages of their small inhabitant,
fluorescent pink water-lilies drenched in textured brown.

I sat on her kitchen floor (for the table could seat only one)
and did not speak, the tick-tick of the clock
seeming to enunciate the silence.

I could not look at her when she gave me my dinner.
Five years old, and we had never met.
The four blocks between us might have been a country.

I could not eat for three days in that house.
For each meal I turned away she hit me with her long metal spoon.
The welts were shaped like peninsulae.

I didn’t care. The pain was a distraction.
She watched her one TV channel all day
and everywhere in the rooms I saw you.

The potted bamboo trunk was the jungle tree limb which would hit you.
The stagnant water in the backed-up sink was the murky
river in which flowed your wine.

Every alarm in the night was your call to me
from a filthy hotel room, every car horn
was you screaming through a dream in a dank slumber.

The vivid memories from my a short life
flowed back in torrents without provocation.
I cried into a mite-infested pillow so Grandmother would not hear.

Every night I dreamed of lying next to you on the single mattress we shared.
Father was there, wearing the uniform you buried him in.
You kissed me on the cheek.

I stand on what was to be your doorstep.
Your body was likely washed to sea.
I love you.
Seoul, South Korea

Wednesday, October 12, 2011

Cryptid

I asked his name and he said he wasn't quite sure
but he thought it was BagFat or something like that
that he had heard them scream at his sight.

He looked at me and his dark solid brown eyes
stared down mine and seemed to penetrate their
sockets. I understood it now - this was their mating,
the method biology had yet to uncover and had left
wasting away in the forest.

He spoke calmly after our ocular intercourse,
and he seemed the most contented of creatures.
What brought you here, he asked me?
I didn't know what to say. Rape. Fucked like a dog.
A family torn apart.
But now I understood. The best sex of my life
and I would remember it vividly because it happened in my eyes.
Nothing in particular I replied

And I posed the same question as he had.
He paused for a moment but did not seem irritated,
just completely pensive. Every part of him.
He looked at me. The ape, he said.
He had been pushed here by the ape.
Ironic I thought as I asked him for its name.
Man, he said. The only ape around here is called man.

Sunday, October 9, 2011

Abbottabad

May 2nd. Time stands still, minutes hanging in trees
and from telephone poles and fluttering in distinctly
Southern breezes through the cherry blossoms.
Hear the calling, gathering, words shining down
the otherwise empty blocks and courtyards,
characteristics of a nation so far from itself,
a world where mud is valued more than gold,
Marquis is not the only governor in the boudoir,
books are written frantically, invisibly over the air
but no one reads them, their tapping the beat to the
anthem of apathy. Lost, entranced in the confusion
of the moment, staring in my living room at the Second
Going as it races across the glass in front of me, I am
reminded of the vague hours, faintly floating through
the ether of childhood. The bare mattress
on my arms and face. The long, televised awaiting.
The splash of daylight on the dust in the air.
Laughter. The misunderstanding laughter of youth,
the most painful memory of the night.
More than anything, no explanation. Not to me.
It was my first smut, my first taboo,
discovered through hazy, pornographic reports,
discussed in hushed tones, innuendo,
hidden under beds, creasing and stained,
behind models and maps, performed by way
of a hole in a wall. And now they say it ends.
How am I supposed to feel?

Untitled

The dank, black earth,
an aviary, the slate wiped
clean, all clenched in the vice.
On them nicks and scratches
and crevices are dug,
and across their faces the
mark is written, a cue card,
indexed for future reference.
The mark is the Latin docemur
“we are taught.” The storm is my
teacher, spiraling in its circular
reasoning, gathering its disciples,
speaking in time with the
thunder so no one may hear.
It has taught me one lesson,
a chapter alone, gathered
by my pacing and its
tearing a hole in the wooden floor.
The lesson is this:
death is becoming oneself.

To S.